Saturday 21 November 2015

Meeting the Great Consultant (2013) by Paul Durcan


After having fasted from midnight, I get a taxi at noon, Driven by an easygoing, affable Wexfordman from the 
Hook –
He confesses that he finds modern hospitals ‘scary’ –
To the Hospital – Level 5, Day Care –
For what the Great Consultant’s secretary by phone 
Has told me will be ‘a procedure’.
As with anything to do with Health, it’s a Stations of
the Cross
The purpose of which is to cause the patient maximum
humiliation and stress.
Reception: a mean-looking, middle-aged lady with
dyed blonde hair;
Canine, snub-nosed, dismissive.
Onward to the ward: two young female nurses –
One human and warm and gay and bright and helpful; 
The other brittle, curt, bent on making a nuisance of 
herself –
Flings open cubicle curtains, instructs me
To get into a trolley bed.
Having undressed and wrapped up in a surgical
gown –
The usual, humdrum, pre-crucifixion scenario –
I sit there in bed for an hour and a half – waiting 
Before being wheeled at speed down corridors 
To the day-procedure operating theatre.
In position, I can see the Great Consultant –
His back. He does not deign to greet me
But in his blue scrubs stands with his back to me 
At a counter, mugging up his notes,
Or, as he would pompously snigger, ‘consulting your
files’.
Finally, he spins around on his heel,
Vaunting a glimpse of boyhood’s homoerotic hips, 
A young middle-aged, grey-haired, baby-faced gang
boss
Who theatrically thinks of himself as the nurses 
Think of him: as a God of the Hospital
(They refer to him never by name – only as HE). 
Standing over me he gloats and glowers,
Informing me of the type of anaesthetic I’ll be injected
with.
I ask him a question, but he ignores me – after all, 
He is a consultant and consultants do not consult, 
Certainly not with a patient.
And so I am injected and a masked nurse
Clamps my mouth, and the Great Consultant 
Shoves a sewer rod down my throat
And fifteen minutes later I am trolleyed back to the
cubicle.
No, this tight-bottomed, pint-sized, Dublin suburbanite 
With his Dublin 4 Great Medical Family pedigree –
His Rugby or his GAA field cred –
All-Ireland Championship medals or Irish caps –
Will not be doing any consulting with me today.
A boorish, contemptuous, conceited bully boy.
Three hours later, as I am departing Reception,
He passes me by, pretending not to recognise me. 
But I put a spanner in his swagger and greet him and
compel him
To say ‘Ah, Mr Durcan!’ and I say to him:
‘Do you know what? You are a perfunctory little bugger, 
But you have just done me for 600 euro – enjoy!’

Il Bambino Dormiente (2013) by Paul Durcan

Last Tuesday I nipped over to Venice for a day and a
night:
I needed to see one particular painting in the
Gallerie dell’Accademia
By Giovanni Bellini:
The Madonna Enthroned Adoring the Sleeping Child –
Il Bambino Dormiente. 
Needed to? Yes – needed to.
On the spit of dissolution,
Estranged from my family,
I needed to see again
The most affectionate yet sacred family portrait ever
painted.
Cheap Aer Lingus flight to Marco Polo,
Bus into the bus station in the Piazzale Roma,
Water bus down the Grand Canal to the Gallerie
dell’Accademia,
Half-price entrance fee for a European pensioner.


Not many visitors. In a vast stone hall
I linger alone before Bellini’s small picture
Of all that it means to be your mother’s son 
In the mortal world, all that it means
To be a young mother doomed. I needed –
As we need to drink water to stave off death –
I needed to see myself as originally I was:
A naked male infant draped naked across my
mother’s knees,
Sleeping the sleep of death;
I needed to see her slightly prised-open eyes
glancing down
At his sleeping visage, his tall, thin, grey, aged
features –
Il Bambino Dormiente.
I needed to see again with my own eyes
Her apprehension of the inevitable;
To check again that she does indeed have red hair 
Parted down the middle
In a white veil
Under the flat gold plate of her halo
And that her cheeks also are red –
Not with rouge –
But with all
That is most virginal, auroral,
Most purely West of Ireland peasant princess, 
Palestinian Jewess,
Her slender fingers craned tall in prayer.
I linger – I linger all day.

I stayed overnight in a nearby pensione
On the Rio di San Trovaso,
‘The Villa of Miracles’, which between the two
world wars
Was the Soviet Russian Embassy.
(The concierge archly confided in me: 
‘We still receive the Russian clients.’)
In the middle of the night, after a catnap, 
Having churned back up the waters of the Grand
Canal,
To the bus station in the Piazzale Roma –
A young Chinese woman named Ya
From Yunnan Province studying in Manchester 
HUMAN RESOURCES
Helping me find the bus to Treviso –
I got a Ryanair early flight back to Dublin
To settle my affairs and get ready for my own little
sleep,
Meeting my mother in the big deep.